1984 《小爸爸的天空》（导演陈坤厚）
1985 《青梅竹马》（导演杨德昌）
1985 《童年往事》
1985 《最想念的季节》（导演陈坤厚）
1986 《恋恋风尘》
1987 《尼罗河女儿》
1988 《外婆家的暑假》（电视单元剧；导演柯一正）
1989 《悲情城市》
1993 《戏梦人生》
1995 《好男好女》
1996 《南国再见，南国》
1998 《海上花》
2001 《千禧曼波》
2003 《咖啡时光》
2005 《最好的时光》
2007 《红气球》
参考资料
Berry， Michael. “Words and Images: A Conversation with Hou Hsiao-hsien and Chu T’ien-wen.” Positions 11， no. 3 (Winter 2003): 675-716.
Browne， Nick. “Hou Hsiao-hsien’s Puppetmaster: The Poetics of Landscape.” Asian Cinema 8， no. 1 (Spring 1996): 28-38.
Chi， Robert (纪一新). “Getting It on Film: Representing and Understanding History in A City of Sadeness.” Tamkang Review 29， no. 4 (Summer 1999 ): 47-84.
Chu T’ien-wen. Notes of Desolate Man. Trans. Howard Goldblatt and Sylvia Li-chun. New York: Columbia University Press， 1999.
Ellickson， Lee. “Preparing to Live in the Present: An Interview with Hou Hsiao-hsien.” Cineaste 27， no. 4 (September 2002): 13-19.
Huang Chun-ming. The Taste of Apple. Trans. Howard Goldblatt. New York: Columbia University Press， 2001.
Li Tuo (李陀). “Narratives of History in the Cinematography of Hou Xiaoxian.” Positions 1， no. 3 (Winter 1993): 805-815.
Ping-hui， Liao (廖炳惠). “Rewriting Taiwanese National History: The February 28 Incident as Spectacle.” Public Culture 5， no. 2 (1993): 281-296.
——. “Passing and Re-articulation of Identity: Memory， Trauma， and Cinema.” Tamkang Review 29， no. 4 (Summer 1999): 85-114.
Lupke， Christopher. “The Muted Interstices of Testimony: A City of Sadness and the Predicament of Multiculturalism in Taiwan.” Asian Cinema 1， no. 15 (Spring 2004):5-36.
Neri， Corrado. “A Time to Live， a Time to Die: A Time to Grow.” In Chris Berry， ed.， Chinese Films in Focus: 25 Takes， pp. 160-166. London: British Film Institute， 2003.
Reynaud， Berenice. A City of Sadness. London: British Film Institute， 2002.
Silbergeld， Jerome. “Chapter 3. The Chinese Heart in Conflict with Itself: Good Men， Good Women.” In Hitchcock with a Chinese Face: Cinematic Doubles， Oedipal Triangles， and China’s Moral Voice， pp.74-116. Seattle: University of Washington Press， 2004.
Tam， Kwok-kan and Wimal Dissanayake. “Hou Hsiao-hsien: Critical Encounters with Memory and History，” In Kwok-kan Tam and Wimal Dissanayake， eds.， New Chinese Cinema， pp. 46-59. Oxford: Oxford University Press， 1998.
Udden， James. “Hou Hsiao-hsien and the Question of a Chinese Style.” Asian Cinema 2， no. 13 (Fall/Winter 2002): 54-75.
——. “Taiwanese Popular Cinema and the Strange Apprenticeship of Hou Hsiao-hsien.” In Mmodern Chinese Literature and Culture 1， no. 15 (Spring 2003): 120-145.
Various. Hou Hsiao-hsien. Paris: Cahiers du cinema， 1999.（中文版《侯孝贤》，台北：电影资料馆，2000。）
Wang， Ban. “Black Holes of Globalization: Critical of the New Millennium in Taiwan Cinema.” Modern Chinese Literature and Culture 1， no. 15 (Spring 2003): 90-119.
Xu Gang， Gary. “Flowers of Shanghai: Visualising Ellipses and (Colonial) Absence.” In Chris Berry， ed.， Chinese Films in Focus: 25 Takes， pp. 104-110. London: British Film Institute， 2004.
Yeh， Yueh-yu. “Politics and Poetics of Hou Hsiao-hsien’s Films.” In SheldonH. Lu and Emilie Yueh-yu Yeh， eds.， Chinese Language Film: Historiography， Poetics， Politics， pp. 163-185. Honolulu: University of Hawaii Press， 2005.
Yep， June. Envisioning Taiwan: Fiction， Cinema， and the Nation in the Cultural Imaginary. Durham: Duke University Press， 2004.
朱天文，《千禧曼波：电影原著中英文剧本》，台北：麦田，2001。
───，《好男好女：侯孝贤拍片笔记分场、分镜剧本》，台北：麦田，1995。
───，《朱天文电影小说集》，台北：远流，1991。
───，《悲情城市》，上海：上海文艺出版社，2001。