1948 《哑妻》
1948 《欢天喜地》
1949 《几番风雨》
1949 《二百五小传》(又名《梨园英烈》)
1950 《望穿秋水》
1950 《影迷传》
1953 《鸡毛信》
1953 《妇女代表》
其他
1993 《大上海屋檐下》(电视连续剧,监制)
1996 《婆婆、媳妇与小姑》(电视连续剧,艺术总监)
1998 《生死之门》(电视连续剧,出品人,艺术顾问)
1999 《世纪人生──董竹君》(电视连续剧,艺术总监)
2005 《微笑人生》(电视连续剧,艺术总监)
参考资料
Browne, Nick. “Society and Subjectivity: On the Political Economy of Chinese Melodrama.” In Nick Browne, Paul G. Pickowicz, Vivian Sobchack, and Esther Yau, eds., New Chinese Cinemas: Forms, Identities, Politics. Cambridge: Cambridge University Press, 1994.
Chi, Robert. “The Red Detachment of Women: Resenting, Regendering, Remembering.” In Chris Berry, ed., Chinese Films in Focus: 25 New Takes. London: British Film Institute, 2003.
Gu Hua. A Small Town Called Hibiscus. Beijing: Panda Books, 1983.
Hayford, Charles W. “Hibiscus Town: Revolution, Love and Bean Curd.” In Chris Berry, ed., Chinese Films in Focus: 25 New Takes. London: British Film Institute, 2003.
Kuoshu, Harry H., Xie Jin, and Nick Browne. “2. Hibiscus Town (Furong zhen, dir. Xie Jin, 1986).” In Harry H. Kuoshu, ed., Celluloid China: Cinematic Encounters with Culture and Society, pp. 29-68. Carbondale: Southern Illinois University Press, 2002.
Kuoshu, Harry H., Xie Jin, and Gina Marchetti. “1. Two Stage Sisters (Wutai jiemei, dir. Xie Jin, 1965).” In Harry H. Kuoshu, ed., Celluloid China: Cinematic Encounters with Culture and Society, pp. 29-68. Carbondale: Southern Illinois University Press, 2002.
Ma Ning. “Spatiality and Subjectivity in Xie Jin’s Film Melodrama of the New Period.” In Nick Browne, Paul G. Pickowicz, Vivian Sobchack, and Esther Yau, eds., New Chinese Cinema: Forms, Identities, Politics. Cambridge: Cambridge University Press, 1994.
Silbergeld, Jerome. “The Force of Labels: Melodrama in the Postmodern Era.” In China Into Film: Frames of Reference in Contemporary Chinese Cinema, pp.188-233. London: Reaktion Books, 1999.
白先勇、谢晋,《最后的贵族:从小说到电影》,上海,百家出版,1993。
合著,《谢晋六十年艺术之路》,北京:华夏出版社,2003。
庄辛等著,《谢晋传》,上海:华东师范大学出版社,1997。
何春耕,《论中国伦理情节剧电影传统:从郑正秋、蔡楚生到谢晋》,长沙:湖南大学出版社,2002。
孟涛、胡小秋,《足迹:谢晋五十年电影艺术生活回眸》,上海:恒通影视有限公司,1998。
陈剑雨编,《论谢晋电影》,北京,中国电影出版社,1998。
郭伟成,《沉沦与救赎:从〈鸦片战争〉到鸦片战争》,上海:上海文艺出版社,1997。
焦雄屏,《谢晋电影的历史地位及其美学意义》,《影响》杂志(1992年10月):118—136。
杨君、谢晋编,《今天:二十一世纪中国电影电视发展高级论坛》,北京:光明日报出版社,2002。
谢晋,《我对导演艺术的追求》,北京:中国电影出版社,1998。
──,《谢晋谈艺录》,上海:上海文艺出版社,1989。